The Full Story
M U S I C A L T H E A T E R W R I T I N G
IT'S NOT FAIRE
My second original musical is a collaboration out of Berklee’s Musical Theatre Writing II Class alongside composer Jett Mills.
It’s Not Faire is a raunchy farce about a SoundCloud rapper named Tripp who gets a job as a fry cook at a Renaissance Faire. Guided by the randy ghost of George Washington in drag, Tripp enters a world of insecure, sexually frustrated theatrical performers who enlist him to star as Laertes in the fair’s production of Hamlet. Thrown into intense Shakespearean dialogue training, the broken marriage of the production's diva director and infidel star, and the pressure of two big off-Broadway producers coming to see the show, Tripp realizes that he’ll need to step up and “be a man” (whatever that means.)
It’s Not Faire was workshopped at The Rockwell Theater in Somerville, MA in 2025, and had its first official production at The Modern Theater at Suffolk University in 2026.
Sounds interesting right? Click to watch the full production!
WAITING FOR TUESDAY
I have written two musicals in their entirety. I started Waiting for Tuesday, my first show, when I was ten years old and performed my first workshop of the show as a senior in high school.
I culminated my journey working on Waiting for Tuesday with a workshop at The Boston Conservatory’s New Ground Theatre Company. I also released an EP of “Highlights from “Waiting for Tuesday” (An Original Musical)” that is available wherever music is streamed.
DIRECTION & ORCHESTRATION
I started music directing when I was sixteen years old with a production of Spring Awakening that was cancelled due to the COVID-19 pandemic. Restless and eager to continue the process, I taught rehearsals over Zoom and continued to do so for a few months into the pandemic. Since then, I’ve found that adapting to the needs of your company and being willing to abandon your plans for their well-being is the most important part of music directing. Since then, I have worked at Arlington Children’s Theater, where I’ve spent time teaching kids ages 6-16 the music of Peter Pan Jr. and Finding Nemo Kids. As of Summer 2026, I will be teaching Into the Woods Jr. and James and the Giant Peach Jr. Beyond this, I have interned in the music department of the Paper Mill Playhouse for two summers for their New Voices Summer Conservatory, as well as music directed Great Plains Theater’s production of All Shook Up in Abilene, KS.
I have orchestrated since my senior year of high school, beginning with a Noteflight arrangement of “Industry Baby” for my high school’s pep band and leading up to my first original musical workshop in Fall of 2023. I have worked on the orchestration/copyist team for Berklee’s Broadway Band for the last three years of college, as well as orchestrated for Berklee’s annual Curtain Up New Musical Theatre Showcase. I am most proficient in Sibelius, though I have also worked in Finale and Dorico.